I was woken for work this morning by radio 4 and the smarmy tones of Tony Blair weighing in on the situation in Egypt. He seemed to be saying something about having supported Mubarak continuing to hold power (for 30 years) as the lesser of two evils to maintain the status quo in Israel. The status quo in Israel seems to involve illegally grabbing land off the Palestinians in the west bank, so I'd question if you wanted to support that status quo, but I was half asleep, so I won't labour the point, I may have misheard. I also thought I heard him complaining about some destabilising leaks (presumably wikileaks), saying they were leaked with a 'heavy-spin' - it was during Blair's rise to power that I learnt the meaning of spin, so he should know.
He woke me up last week as well (radio 4 again, not in person!), saying: "The fact is they are doing it because they disagree fundamentally with our way of life and they will carry on doing it unless they are met with the requisite determination and, if necessary, force," about Iran. It's funny, because I could so easily imagine Amadinejad saying exactly the same thing about western imperialism. Blair wasn't very good at clarifying exactly what it was Iran are doing this time, perhaps wary of litigation. The US and Britain have been posturing over Iran for years, I do hope it doesn't boil over.
Which leads me neatly onto my next topic. It's incredibly cold today and sitting on the front line in the housing office has given me freezing hands as the cold air rushes in with every new visitor. These cold hands prompted me to a rare activity, I went to the office kitchen to make myself a tea to warm said hands. Now I am an avid tea drinker, but not much of a tea maker, I remember my old house-mate Samara saying I was a tea junkie, but only because I said yes every time she offered to brew one, I wasn't filling in extra teas in-between. This tea habit developed when I was first renting and sharing a house, we used to have a lot of visitors so we derived a few house rules to stop us from having to bend over backwards to accommodate them; 1) the last person in has to answer the door and 2) whoever says 'tea' has to make it. I got very good at not saying 'tea'! In my recent trip to Dublin the complete opposite attitude is adopted to visitors, I don't think I've drank as many cups of tea in a weekend before in my life!
Back to today: when I got into the kitchen I noticed we had a rather nice, retro-styled, new kettle by silvercrest. I was, however, puzzled by an odd dial on the side of the kettle. I'd never seen one before, but it had a min-max dial, presumably to change the temperature the kettle reaches before switching off automatically. My immediate reaction was, 'what madness is this', until I considered it a little more carefully. Remembering my days in a coffee shop I recalled that the optimum temperature for tea brewing is as close to boiling as possible, whereas boiling water for coffee can burn the beans and impair the flavour, 88o is better, so suddenly the kettle makes sense and I want one!
Now for my final topic for the days musings, the item that followed Blair on radio 4 before the walk to work: the present prevalence of posh kids in pop music. Nowadays, apparently, the charts are filled with kids who either went to private schools or illustrious stage schools, whereas in the 60's heyday pop was a place working class heroes could make their names. Comparing the charts now with the equivalent point in the 90's shows a massive reversal in the fortunes of the parents of the major players (presumably)!
Pete Waterman weighed in saying that there's a lot of snobbery in the music industry, I think he slightly missed the mark when he complained that they wouldn't look at anyone who didn't have O-Levels (which is what they used to call GCSE's in case you, dear reader, are very young) or go to University. The coalition government may seem determined to put class divide back into education, but, certainly when I was doing it was perfectly possible to get good grades and go to university without a rich mummy and daddy to pick up the bill. However I think he hit the nail on the head when he said, "I think that when all the A&R people wear Jack Wills clothes it tells you where they're going."
I don't even know what Jack Wills is, but I'm assuming it's an extremely expensive brand not to be pondered by the likes of me. If the music industry are populated by the rich and privileged they are most likely to continue what they've done for centuries in this country: preserve their wealth and class through thinly veiled nepotism. Now I'm not claiming to be extremely poor, I'd say I'm probably somewhere in the middle class, and I'm not claiming the poor aren't nepotistic; it's just more damaging to society when the rich are, as the gap between rich and poor has continued to grow, even through 10+ years of Labour. I've no doubt it will get even worse under the Condemnation government, so perhaps this new upper class music phenomenon is just a sign of the times. The music industry is a bit of a playground, the chances of actually making a decent wedge as a performer are pretty slim, so I guess it makes sense it's more and more a pursuit of the moneyed classes.
The sad thing, to my ears, is that the rich stars listed in the articles are making such bland music: we've got Florence Welch, Chris Martin who really make me cringe while others like Jamie T, Jack Penate and Noah and The Whale have just about managed to bore me. Charlie Fink(from Noah and the Whale)'s comment shows how little he understands the issue, "I don't think with our songs where we come from really comes into it, because it's rare that we write about it." Of course not, Charlie, no ones going to write a passionate song about their parents being comfortably well off enough to send them to a posh school, no ones going to write a song about not having to struggle to but your first instrument and not having to juggle three jobs to keep your head above water while you tried to break into your chosen profession.
Still, I'm sure I'm being unfair now and making tonnes of assumptions about Mr Fink, merely because a bbc article states he went to a private school. My Mum sent my little sister to private school, I still don't really understand why, but she's near bankrupted herself in the process. It's could take it as a kick in the teeth, that my brother and I had an education now deemed inadequate for my younger kin. Class is a tricky issue and it is good advice to tread lightly, indeed the grass is often not as green as you might expect. The fact remains though, the wealthiest are getting wealthier and wealthier all the time and that is incredibly unhealthy for society.
We're going to need some schemes to get instruments in the hands of the young and poor if we want a future for working class guitar based music... have you seen the price of a drum kit these days? Ben didn't have one of his own (that wasn't a battered, toneless assemblage of hand-me-downs) until well into his late 20's. One dot they didn't join in the BBC coverage is that this is not just the era of upper class bands it is also the era when bands have been selling really badly (compared to their more profitable, seemingly working class, urban hip-hop/r'n'b counterparts). So maybe money should be left to do the buying and poverty the selling? Nah:- I don't believe that for one second. Fact is diversity is key, keep a flow of people who are representative of the society they are selling to in music, because people need music they can relate to, whatever their background.
I (Adam Kidd) am a singer-songwriter from Brighton, Uk. I currently sing in a band called Fragile Creatures (demos here: http://reverbnation.com/fragilecreatures). This blog is where I blather on about anything I feel like blathering about.
Friday, 28 January 2011
Thursday, 27 January 2011
On Dublin and floor candy
Well it seems I am off to a reasonably slow start with my blog. I think it has been a week since I made an entry, but no bother. I imagine it takes time and effort to establish a rhythm for effectively reporting the everyday.
I went to Dublin at the weekend for my Great-Aunty Mary's 80th birthday, it was quite a bash so I won't try to list all the family I saw! Mary lives in Kilbarrak, a suburb in Ireland where they filmed Roddy Doyle's, 'The Commitments' and 'The Van'. In fact the pub we had the function in, colloquially known as the foxhole but actually called something like the Fox and Hare, was the very same pub they used in both films (I am told, although it has been years since I saw the Commitments and I don't think I've ever seen The Van but apparently Doyle had a good rapport with a lot of the folks in the area during filming and even apparently stopped into Mary's for tea a couple of times during filming. Barrytown in the books is meant to be modelled on Kilbarrak). It was good to go back to the motherland and reconnect with family and it was lovely to have made it on a happy occasion and not a funeral (my last visit was to bury my Great-Uncle Paddy, a great man). Apparently Mary wasn't too keen on having a fuss over herself initially, but when my cousin Cyril told her it would either be the party or her funeral she acquiesced!
I took Heather with me, which, as we were shown around town on Saturday by my cousin Pardraic who kindly put us up for the weekend, resulted in a lot of 'put a ring on her finger' related teasing. We saw some great stuff from the Book of Kells in Trinity College to parts of Chester Beatty's incredible collection in Dublin Castle. They were displaying bits of the Shahnama, which is a fascinating collection of early Persian/Iranian tales. I'd love to read a translation some day, I'm a keen aficionado of tales of kings and heroes. At the end of the weekend I am pleased to say that Heather has acquired a taste for Guinness... which has long been my favourite tipple. I think I may have tried a bit of my first pint in Ireland when I was about 12; and can quite clearly remember it being the first pint I bought myself in a pub back home in Brighton, aged 15. It's become a lot harder to buy a pint when you're young nowadays, I often find myself asked for ID and I'm not far off thirty!
We returned to Brighton leaving me just an hour to set up my newest toy before rehearsal. I am now the proud owner of a Pog2, which is an incredible pedal from Electroharmonix (EHX). The Pog2 is a pitch pedal, which reproduces the sound you are playing in two octaves below the original signal and two octaves above, making 5 octaves in total... so when you play a chord it has the potential to be huge! To control this mass of frequency there is an attack filter (which smooths off the front of the sound, sort of fading in the note) a low pass filter (allowing you to control how soft or sharp the end tone is) and a detune filter (sort of like the pitch equivalent of chorus, I guess). All of these options can be used alone or in combination and you can save 8 presets! It's qualified for far more than I currently use it for, with particular strengths in creating a 12 string guitar sound or a fairly passable hammond organ tone, which is great as it'll keep on giving me new tones to try out on songs and get excited about!
Not one to be outdone I found when I got home that Tom has also been shopping for floor candy. He picked himself up a pre-'81 Boss Chorus pedal, which creates an excellent chorus tone. Tom took great pleasure in showing us all how perfectly he could recreate the guitar sound from Sweet Home Alabama. He's also picked up a 'Double Muff' pedal by EHX, which he's using for a fatter distortion sound than his Maxon OD-9 (an excellent updated version from the original manufacturers of the Ibanez Tube Screamer).
My band are currently rehearsing twice a week to super-polish some songs for recording and in the sessions we're working with Sweeval, our sound-engineer and noise-guru. He's been encouraging Tom and I to complete a mission I had already begun: removing the multi-effects unit from my effects chain. With the addition of the Pog2 I was able to try this for the first time and it was amazing what a difference it made. I've been using an old Boss Me-33 for some time, which is great in many ways, but the quality of tone is just not quite professional standard. As soon as you remove one of these digital multiple processors from the chain you get a completely different sort of response from the guitar. There is so much more detail of tone and the guitar so much more responsive to your playing dynamics. I also found the multi effects gave a split second delay between pressing the switch and the effect coming on, which is totally unacceptable really!
Currently I have the following set up on the floor:
EHX Pog2 ->
Boss DD-20 Gigadelay (for most of my delay sounds: has 4 save-able prests which is dead handy) ->
Boss TU-2 (tuner) ->
Boss DD-3 delay (set up for a subtle slap-back delay) ->
Boss BD-2 blues driver (distortion, although I use very little of it nowadays).
So I'm nearly complete and almost ready to build myself a proper fixed-position pedal board. Next I'd like to get a Maxon AF-9, which is an auto-filter that they modelled for the Guitar Rig VST I've used with cubase. I want to use the effect to replace phaser sounds I've used in the past, an auto or envelope filter is kind of like an auto-wah, but with the AF-9 they've made a much smoother, subtler sound than those sort of effects usually deliver. Whenever I've used it as a VST I've found it can make a great 70's reggae tone which is what I hope to get out of it. Aside from that I could probably squeeze in one more box, and that would have to be some sort of crunchy-distortion pedal that compliments the blues driver. I can't wait!
Adam.x
I went to Dublin at the weekend for my Great-Aunty Mary's 80th birthday, it was quite a bash so I won't try to list all the family I saw! Mary lives in Kilbarrak, a suburb in Ireland where they filmed Roddy Doyle's, 'The Commitments' and 'The Van'. In fact the pub we had the function in, colloquially known as the foxhole but actually called something like the Fox and Hare, was the very same pub they used in both films (I am told, although it has been years since I saw the Commitments and I don't think I've ever seen The Van but apparently Doyle had a good rapport with a lot of the folks in the area during filming and even apparently stopped into Mary's for tea a couple of times during filming. Barrytown in the books is meant to be modelled on Kilbarrak). It was good to go back to the motherland and reconnect with family and it was lovely to have made it on a happy occasion and not a funeral (my last visit was to bury my Great-Uncle Paddy, a great man). Apparently Mary wasn't too keen on having a fuss over herself initially, but when my cousin Cyril told her it would either be the party or her funeral she acquiesced!
I took Heather with me, which, as we were shown around town on Saturday by my cousin Pardraic who kindly put us up for the weekend, resulted in a lot of 'put a ring on her finger' related teasing. We saw some great stuff from the Book of Kells in Trinity College to parts of Chester Beatty's incredible collection in Dublin Castle. They were displaying bits of the Shahnama, which is a fascinating collection of early Persian/Iranian tales. I'd love to read a translation some day, I'm a keen aficionado of tales of kings and heroes. At the end of the weekend I am pleased to say that Heather has acquired a taste for Guinness... which has long been my favourite tipple. I think I may have tried a bit of my first pint in Ireland when I was about 12; and can quite clearly remember it being the first pint I bought myself in a pub back home in Brighton, aged 15. It's become a lot harder to buy a pint when you're young nowadays, I often find myself asked for ID and I'm not far off thirty!
We returned to Brighton leaving me just an hour to set up my newest toy before rehearsal. I am now the proud owner of a Pog2, which is an incredible pedal from Electroharmonix (EHX). The Pog2 is a pitch pedal, which reproduces the sound you are playing in two octaves below the original signal and two octaves above, making 5 octaves in total... so when you play a chord it has the potential to be huge! To control this mass of frequency there is an attack filter (which smooths off the front of the sound, sort of fading in the note) a low pass filter (allowing you to control how soft or sharp the end tone is) and a detune filter (sort of like the pitch equivalent of chorus, I guess). All of these options can be used alone or in combination and you can save 8 presets! It's qualified for far more than I currently use it for, with particular strengths in creating a 12 string guitar sound or a fairly passable hammond organ tone, which is great as it'll keep on giving me new tones to try out on songs and get excited about!
Not one to be outdone I found when I got home that Tom has also been shopping for floor candy. He picked himself up a pre-'81 Boss Chorus pedal, which creates an excellent chorus tone. Tom took great pleasure in showing us all how perfectly he could recreate the guitar sound from Sweet Home Alabama. He's also picked up a 'Double Muff' pedal by EHX, which he's using for a fatter distortion sound than his Maxon OD-9 (an excellent updated version from the original manufacturers of the Ibanez Tube Screamer).
My band are currently rehearsing twice a week to super-polish some songs for recording and in the sessions we're working with Sweeval, our sound-engineer and noise-guru. He's been encouraging Tom and I to complete a mission I had already begun: removing the multi-effects unit from my effects chain. With the addition of the Pog2 I was able to try this for the first time and it was amazing what a difference it made. I've been using an old Boss Me-33 for some time, which is great in many ways, but the quality of tone is just not quite professional standard. As soon as you remove one of these digital multiple processors from the chain you get a completely different sort of response from the guitar. There is so much more detail of tone and the guitar so much more responsive to your playing dynamics. I also found the multi effects gave a split second delay between pressing the switch and the effect coming on, which is totally unacceptable really!
Currently I have the following set up on the floor:
EHX Pog2 ->
Boss DD-20 Gigadelay (for most of my delay sounds: has 4 save-able prests which is dead handy) ->
Boss TU-2 (tuner) ->
Boss DD-3 delay (set up for a subtle slap-back delay) ->
Boss BD-2 blues driver (distortion, although I use very little of it nowadays).
So I'm nearly complete and almost ready to build myself a proper fixed-position pedal board. Next I'd like to get a Maxon AF-9, which is an auto-filter that they modelled for the Guitar Rig VST I've used with cubase. I want to use the effect to replace phaser sounds I've used in the past, an auto or envelope filter is kind of like an auto-wah, but with the AF-9 they've made a much smoother, subtler sound than those sort of effects usually deliver. Whenever I've used it as a VST I've found it can make a great 70's reggae tone which is what I hope to get out of it. Aside from that I could probably squeeze in one more box, and that would have to be some sort of crunchy-distortion pedal that compliments the blues driver. I can't wait!
Adam.x
Friday, 21 January 2011
The new blog...
Hello there,
For the last 5-6 years I have been keeping an intermittent blog of my musings on my myspace page, usually http://myspace.com/adamkidd but lately also http://myspace.com/adamkiddband.
When I first heard of myspace in 2005 I had no idea about the music portal it was to become, I was just looking for somewhere to keep a blog as I liked the idea of an online diary. When I signed up it quickly became pretty obvious the site would be useful to me as a musician, as an online page where I could easily share and hopefully promote the music I was making. I quickly changed my personal page to a music one and then got on with my sporadic blogging.
This year I have come to the decision to migrate my blog away from myspace. It was never the best portal for sharing blogs anyway... myspace has never played nicely with the other social networking sites out there, thinking instead that it could somehow become all of them at once and be much better at it. Integration has been the story of the last few years and myspace have been really slow to catch on. Now they've pushed through some clunky unwieldy changes to the site that have sounded a bit of a death knoll as far as many people I know are concerned. I don't plan to shut down my myspace pages, they still have a use and are usually very high up on google searches, but it does seem sensible to finally move my blog to a space dedicated to blogging. I have for some time been following a couple of entertaining bloggers who use this site and post links through their facebook pages, so, I thought, why not join in!
So perhaps a bit of a boring topic for my first entry, but there you go, I never claimed I was going to make this fun! I'll throw in a small smattering of random contemporaneous information:
Currently reading: Isaac Newton: The Last Sorcerer by Michael White. A biography written in 1998, I'm only on chapter 1 so won't comment yet, I'm hoping this will be as entertaining as a biography of Robert Hooke a few years ago, and paint a picture more anchored to reality than Neal Stephenson's (incredibly entertaining) take on the era in his Baroque Cycle of novels.
Currently listening to: Field Music - Measure. Although strictly speaking I'm not actually listening to it right now this is an amazing double album by a massively underexposed band from Sunderland that I am currently obsessed with. Many friends had told me of their brilliance but it was only when I saw them live at Tom and Alex White's Maximalism show at the Concord 2 on December 15th (awesome gig, glad to have played a small part meself) that I was properly blown away. Measure is amazing - a double album that rarely wanders into filler territory. I am eager to buy more of their albums bit will have to hold out until the end of the month... I got paid December 23rd last year for this month and am desperately trying to stretch my pennies for one more week!
Where am I?: Right now I'm at work. I spend two days a week wasting away in Whitehawk's local Housing Office.
Looking forward to: going to see the Manic Street Preachers tonight with Heather! Used to be an obsessive fan, as they were one of the first big bands I ever saw live and definitely the first one to make me think, 'whoa - when I grow up I want to pirouette on stage with a guitar in my hand'! I saw them in '96, I think, and the next day my mate Andy and I went straight out and bought Generation Terrorists, cos it was the stuff we hadn't heard on Everything Must Go that impressed us most. They are a band of contradictions, sometimes effortless brilliance sometimes laboured rubbish. Tonight at Brixton Academy will be a good chance to see if they still possess that spark that ignited me so long ago!
Toodle-pip!
Adam.x
For the last 5-6 years I have been keeping an intermittent blog of my musings on my myspace page, usually http://myspace.com/adamkidd but lately also http://myspace.com/adamkiddband.
When I first heard of myspace in 2005 I had no idea about the music portal it was to become, I was just looking for somewhere to keep a blog as I liked the idea of an online diary. When I signed up it quickly became pretty obvious the site would be useful to me as a musician, as an online page where I could easily share and hopefully promote the music I was making. I quickly changed my personal page to a music one and then got on with my sporadic blogging.
This year I have come to the decision to migrate my blog away from myspace. It was never the best portal for sharing blogs anyway... myspace has never played nicely with the other social networking sites out there, thinking instead that it could somehow become all of them at once and be much better at it. Integration has been the story of the last few years and myspace have been really slow to catch on. Now they've pushed through some clunky unwieldy changes to the site that have sounded a bit of a death knoll as far as many people I know are concerned. I don't plan to shut down my myspace pages, they still have a use and are usually very high up on google searches, but it does seem sensible to finally move my blog to a space dedicated to blogging. I have for some time been following a couple of entertaining bloggers who use this site and post links through their facebook pages, so, I thought, why not join in!
So perhaps a bit of a boring topic for my first entry, but there you go, I never claimed I was going to make this fun! I'll throw in a small smattering of random contemporaneous information:
Currently reading: Isaac Newton: The Last Sorcerer by Michael White. A biography written in 1998, I'm only on chapter 1 so won't comment yet, I'm hoping this will be as entertaining as a biography of Robert Hooke a few years ago, and paint a picture more anchored to reality than Neal Stephenson's (incredibly entertaining) take on the era in his Baroque Cycle of novels.
Currently listening to: Field Music - Measure. Although strictly speaking I'm not actually listening to it right now this is an amazing double album by a massively underexposed band from Sunderland that I am currently obsessed with. Many friends had told me of their brilliance but it was only when I saw them live at Tom and Alex White's Maximalism show at the Concord 2 on December 15th (awesome gig, glad to have played a small part meself) that I was properly blown away. Measure is amazing - a double album that rarely wanders into filler territory. I am eager to buy more of their albums bit will have to hold out until the end of the month... I got paid December 23rd last year for this month and am desperately trying to stretch my pennies for one more week!
Where am I?: Right now I'm at work. I spend two days a week wasting away in Whitehawk's local Housing Office.
Looking forward to: going to see the Manic Street Preachers tonight with Heather! Used to be an obsessive fan, as they were one of the first big bands I ever saw live and definitely the first one to make me think, 'whoa - when I grow up I want to pirouette on stage with a guitar in my hand'! I saw them in '96, I think, and the next day my mate Andy and I went straight out and bought Generation Terrorists, cos it was the stuff we hadn't heard on Everything Must Go that impressed us most. They are a band of contradictions, sometimes effortless brilliance sometimes laboured rubbish. Tonight at Brixton Academy will be a good chance to see if they still possess that spark that ignited me so long ago!
Toodle-pip!
Adam.x
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